#手創談|POPPASS 付費會員專屬活動6月手創談邀請 SCENT FOREST 香氛森林,與品牌主們分享:從個人品牌到通路成長的實戰經驗SCENT FOREST 從個人品牌起步,透過市集與

For many handmade, craft, and lifestyle brands, joining a market or exhibition can feel exciting, expensive, and uncertain at the same time. You spend weeks preparing products, designing the booth, arranging stock, training your sales pitch, and carrying everything to the venue.
Then, after the event ends, the first question is often:
“Did we sell enough?”
But sales alone cannot explain whether an exhibition was truly successful.

A well-planned exhibition is not just a place to sell products, but rather a real business opportunity to test the market, understand customers, build brand exposure, meet buyers,
improve pricing, and discover the next direction for growth.

On June 10, POPPASS Handcraft Talk invited SCENT FOREST 香氛森林 to share the topic
“Exhibiting Is Not Just Setting Up a Booth: How Brands Can Set Exhibition Goals.”

SCENT FOREST started from a personal brand and gradually expanded through markets, exhibitions,
gift fair orders, and sales channels such as LINE Gift.
Through years of real exhibition experience, the brand has learned one important lesson:
joining an event without a clear goal makes it difficult to evaluate results.

For handmade brands, exhibitions should not begin with the question,
“Which event should I join?”
They should begin with a more strategic question:

What do I want this exhibition to help my brand achieve?

Exhibition Goals Should Not Only Be
About “How Much Money We Can Sell” ✦ ݁˖

Many creators join markets and exhibitions with only 1 goal in mind:
selling as much as possible on-site.
Of course, revenue matters. Brands need cash flow, and every booth fee, display cost, and product preparation takes real money.

But according to the session, an exhibition can carry more than one business goal.

A brand may join an exhibition to increase sales, but it may also aim to gain exposure, test new products, collect customer feedback, grow social media followers, meet returning customers, explore retail channels, or even start conversations with corporate clients and overseas buyers.

This is why one exhibition can have different meanings for different brands.

For a new handmade brand, the goal may be simple: let more people discover the brand and understand which products attract attention. For a more mature brand, the goal may shift toward B2B opportunities, wholesale discussions, customized orders, or long-term channel partnerships.

A successful exhibition is not always the one with the highest on-site revenue. Sometimes, the real value appears after the event: a preorder, a buyer inquiry, a collaboration message, a new customer who returns later, or a clearer understanding of what the market actually wants.

SCENT FOREST

From Markets to Exhibitions:
Exhibitions Are a Training Ground for Brands ⋆˙

One of the strongest ideas from the June 10 Handcraft Talk was that markets and exhibitions are not only sales locations. They are training grounds.

Before a brand enters larger exhibitions or business-facing events, smaller markets can help creators practice the basics of real customer interaction.

At a market, a brand can observe what people pick up first, which products make them stop, which price points make them hesitate, and which words help them understand the product faster. These small details are difficult to learn from online data alone.

For handmade brands, this kind of direct interaction is especially valuable. You can see whether customers understand your product story. You can hear the questions they ask repeatedly. You can notice whether your packaging feels like a gift, whether your display creates curiosity, and whether your product line is clear enough at first glance.

However, the session also reminded brands that not every market is suitable.

Choosing the right event matters. A brand should consider whether the event’s audience, atmosphere, traffic, product categories, and spending power match its positioning. A beautiful event may not bring the right customers. A busy event may not always bring the right buyers.

The goal is not to appear everywhere. The goal is to appear in the places where the right people can see, understand, and remember the brand.

Before Joining an Exhibition,
Decide Who You Want to Be Seen By ✮⋆

A strong exhibition strategy starts before the event opens.

Instead of only asking,
“How should I decorate my booth?” brands should first ask, “Who do I want to reach this time?”

Are they general consumers?
Are they loyal fans?
Are they gift buyers?
Are they retail store owners?
Are they corporate clients?
Are they overseas buyers?

The answer will change the whole preparation process.

If the goal is sales, the brand should prepare best-selling products, bundle offers, smooth payment methods, and enough stock. If the goal is exposure, the booth should create clear visual memory, social media touchpoints, and easy ways for people to follow the brand. If the goal is partnership, the brand should prepare catalogs, price lists, customization options, wholesale terms, and contact information.

If the goal is market testing, then the most important work is observation and recording. Which product received the most attention? Which scent, design, color, or size made customers ask more questions? Which price point felt acceptable? Which display area worked best?

Without a clear goal, everything feels like a guess. With a clear goal, every customer reaction becomes useful information.

SCENT FOREST

Pricing Should Prepare the Brand for Growth ˖᯽ ݁˖

For handmade creators, pricing is one of the most difficult decisions.

Many brands start by calculating materials, labor, packaging, and basic costs. This is important, but it is not enough.

In the session, SCENT FOREST shared that pricing should not only be based on “materials plus working time.” Real business also includes channel costs, exhibition costs, packaging upgrades, marketing expenses, discount space, inventory risk, and the quality level needed to support the brand’s positioning.

This becomes especially important when a brand wants to work with retailers, gift channels, corporate clients, or overseas buyers.

If the price is set too low from the beginning, the brand may have very little room to grow. It may become difficult to enter new channels, cooperate with buyers, or maintain product quality while covering business costs.

A strong pricing strategy is not only about making the product “affordable.” It is also about making sure the brand can continue operating, improving, and expanding in the long run.

For handmade brands, pricing is not just a number. It reflects positioning, value, customer experience, and the future direction of the business.

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Brands Can Support Higher Pricing Through Differentiation ✧˖°

Raising prices is not only about changing the number on the tag.

If a brand wants customers to accept a higher price, the product must feel worth it.

For handmade, fragrance, lifestyle, and gift-oriented products, customers are often not buying only the object itself. They are buying atmosphere, memory, emotion, design, and the feeling of giving something meaningful.

This is where differentiation becomes important.

A brand can support its pricing by improving the gift experience, strengthening the product story, creating a clearer display theme, and helping customers understand the value behind the product.

For example, a fragrance product is not only about scent. It may represent a mood, a room atmosphere, a personal memory, or a gift for someone important.

When the brand communicates this clearly, customers are more likely to understand why the product is worth choosing.

SCENT FOREST

Exhibitions Are Risks That Brands Can Take,
but Safety and Reputation Risks Should Not Be Taken ₊˚

Another memorable point from the session was about risk.

Gloria from SCENT FOREST shared the idea of “above-water” and “below-water” risks to help brands think about business decisions.

Some risks are worth trying. For example, joining a new market, testing a new booth layout, adjusting a display, launching a new product, or trying a small marketing experiment. Even if the result is not perfect, the brand can learn from the experience and improve next time.

These are the kinds of risks that help a brand grow.

But some risks should not be taken.

Risks related to product safety, customer trust, legal responsibility, or brand reputation can create long-term damage. Short-term savings are not worth losing the trust that a brand has worked hard to build.

For creators and small brands, courage is important. But responsibility is even more important.

A brand can experiment with display, pricing, marketing, and channels. But it should never gamble with safety, trust, or reputation.

水線

⤷ Join POPPASS and
Grow Your Brand With Real Business Knowledge !

SCENT FOREST

click here to see the full schedule of the Handmade Talk

If you are a handmade creator, independent brand owner, lifestyle product designer, or small business preparing for exhibitions and overseas opportunities, Handmade Talk is designed for you.

This is not about learning business from far away. It is about standing closer to the market, understanding how decisions are made, and preparing your brand for the next opportunity.

Join POPPASS for NT$1,000/year and access 12+ practical brand growth sessions throughout 2026.

A single session is priced at NT$500, but we warmly invite you to become a POPPASS member.
With an annual membership of only NT$1,000, you can join more than 12 online Handcraft Talk sessions throughout the year and continue learning practical brand management

and business skills in a more cost-effective way.

Google Meet links will be sent to members by email before each session.
For questions, please contact:
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